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The Wrath the Dawn The Wrath and the Dawn Book 1 edition by Renée Ahdieh Children eBooks

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The Wrath the Dawn The Wrath and the Dawn Book 1 edition by Renée Ahdieh Children eBooks

I cannot begin to tell you how angry this book made me, and I've read so many books so they just don't do that to me anymore. Yet, this one somehow did. SPOILER ALERT for those who haven't read the book.

There's no doubt that Ahdieh is very, very talented. The writing is beautiful, exceptional. The author creates these wonderful scenes and imagery that makes you feel like you yourself are there by Shahrzad's side. I could taste the food, smell the marketplace, see the dazzling beauty within the palace. Every word Ahdieh writes is like a gem. She uses metaphors, allegories, and other tools of writing to show you what's going on instead of just telling you outright. The bad side of writing like this is sometimes scenes get confusing and you don't really know who's doing what, or what's really going on, but that's all here and there. The writing, I think, is the only thing that saved this book. Ahdieh is a beautiful writer, and can weave words together in a way most writers cannot even dream of doing...though I do not think she is a splendid storyteller, and there is a huge difference between the two. Let me explain.

As far as Khalid, he's on par with Christian Grey in the fact that he's supposed to be smoking hot but is about as attractive on the inside as a molding onion. For the first 3/4 of the book, his bland personality simply bored me, but by the last fourth I was screaming at him every time I turned a page. He seriously reminds me of a guy I used to know, who complained constantly about how horrible his life was and acted like he got the worst hand life dealt to anyone, just to make himself seem deep and interesting. It doesn't help that everything bad that happens in the book, the curse, all the girls dying, is still ESSENTIALLY HIS FAULT. Every single person that dies or gets hurt is a result of Khalid's selfish nature and self loathing, and he doesn't even care enough to even attempt to make himself likable in any sort of way, just goes around the palace with a woe-is-me attitude even though everyone else is suffering way more because of his actions. I don't get what the big craze is these days about "tortured, haunted" leading males in fiction who hurt women because they're "damaged." For me, it's really unattractive to see a guy waltzing around hurting people because somebody did him wrong in the past, and a woman chasing after him trying to tame the monster. Shazi's relationship with Khalid is on par with Stockholm syndrome and/or an abusive relationship. He literally almost chokes her to death, and she's still palling around with him.

Shahrzad isn't much better. The most we know about her is that she can shoot a bow, she's angry all the time, and that she's trying to kill the guy who murdered her best friend, which she epically fails at for no reason because...I don't know...he's hot? I have no idea why Khalid and Shazi fell in insta-love, because I have no idea who they are as people in the first place. If you took them out of their terrible situation and put them in a normal life, they'd be complete strangers to you because there's nothing about them that makes them unique or different. For as beautiful as the descriptions are and the writing is, the characters are a blank canvas, only painted with a few strokes. There are so, SO many romantic and beautifully detailed scenes that would've stolen my breath away IF I could stop wishing the people I was reading about would just die already, and that's what really makes me upset. This book could've been a masterpiece, but the execution fell flat at the characterization. She did everything else right, but sadly, this crucial point causes the book to fail.

It doesn't help that at every turn, there's a new character to memorize, and a new name to learn. For as short as this book is, there are way too many characters. I know I've made this mistake in my own writing, but I expect better from a book published by Putnam (though I really shouldn't...the Cahill Sisters Chronicles, also published by Putnam, also had an array of 20+ characters for 3 short books).

It just makes me so mad things turned out this way. I was looking forward to this book for a long time, and it was such a big let down. The world, the writing, everything was so beautiful. But when you've got these distasteful, bland characters running around in this beautiful world, I really don't care to keep reading. Gonna think long and hard if I want to chance it with the sequel.


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The Wrath the Dawn The Wrath and the Dawn Book 1 edition by Renée Ahdieh Children eBooks Reviews

I am not at all familiar with 1001 nights, so this story was entirely fresh for me. It was a bit slow to start, but not at all uneasy to read. I loved Shazi right from the start, though Khalid took some time to grow on me. I love the banter going on between Shazi and her handmaiden Despina. I was pretty confused by the insta-love and really could not see why Shazi was falling in love with Khalid, but by the end of the story I found myself saying "aww" to myself a lot. Which I really never do. Towards the end, I found some of the most beautiful words of love I've read in a while, so much that I had to stop and write them down in my reading journal. Now that I've finished the story, I'm totally sold on this romance and am pretty upset by what seems to be about to happen! I did find the chapters focusing on magic to be kind of strange and, well, just really weird. Hopefully that will be explained a little more in book 2. Overall, it wasn't perfect but I definitely enjoyed this story. It's a keeper in my library for sure.
The Wrath and the Dawn is a YA retelling of 1001 Arabian Nights. Or, I should say, a retelling of the Arabian Nights' frame story, of a brave young woman who volunteers to be the bride of a serial killer ruler who murders his new brides the morning after their wedding night. Needless to say, this backstory is a little problematic for the modern reader. In "The Wrath and the Dawn", the nesting stories that the original is famous for take a back seat to the main story, a romance between the latest bride Sharzad, and the killer Caliph Khalid. There is a convoluted explanation for Khalid's mass murder spree which comes out late in the novel, but the main character's early attraction to a man who murdered her best friend (and many other young women) left a bad taste in my mouth. Overall, it was too reminiscent of a storyline where a rape victim falls in love with her assailant.

The book has solid writing, and a lovely amount of detail that evokes a sense of medieval Arabic life and culture. What it lacks are characters that fit into that world. Sharzad comes across as more whiny than heroic, and her bizarre interactions with her handmaiden don't help. Khalid as a tortured romantic soul who -gosh darn it!-doesn't want to be a mass killer of young woman, didn't cut it for me. Sharzad's other heart throb, Tariq, who dashes around on an Arabian horse with a killer falcon, had more potential, but his character simply walked away from a major conflict at the end, leaving me confused. In fact, the second half of the book, between the unlikely actions of the characters and the improbable plot twists, left me bewildered. To make matters worse, the novel is actually book one of a trilogy, not a fun thing to discover as you turn the last few pages.

Despite the fantastic background and setting, I'll be giving the rest of the series a pass. There's no explicit sex (in fact, I think some well-written sensual scenes might have added to this book) and a standard amount of sword slashing and violence.
I cannot begin to tell you how angry this book made me, and I've read so many books so they just don't do that to me anymore. Yet, this one somehow did. SPOILER ALERT for those who haven't read the book.

There's no doubt that Ahdieh is very, very talented. The writing is beautiful, exceptional. The author creates these wonderful scenes and imagery that makes you feel like you yourself are there by Shahrzad's side. I could taste the food, smell the marketplace, see the dazzling beauty within the palace. Every word Ahdieh writes is like a gem. She uses metaphors, allegories, and other tools of writing to show you what's going on instead of just telling you outright. The bad side of writing like this is sometimes scenes get confusing and you don't really know who's doing what, or what's really going on, but that's all here and there. The writing, I think, is the only thing that saved this book. Ahdieh is a beautiful writer, and can weave words together in a way most writers cannot even dream of doing...though I do not think she is a splendid storyteller, and there is a huge difference between the two. Let me explain.

As far as Khalid, he's on par with Christian Grey in the fact that he's supposed to be smoking hot but is about as attractive on the inside as a molding onion. For the first 3/4 of the book, his bland personality simply bored me, but by the last fourth I was screaming at him every time I turned a page. He seriously reminds me of a guy I used to know, who complained constantly about how horrible his life was and acted like he got the worst hand life dealt to anyone, just to make himself seem deep and interesting. It doesn't help that everything bad that happens in the book, the curse, all the girls dying, is still ESSENTIALLY HIS FAULT. Every single person that dies or gets hurt is a result of Khalid's selfish nature and self loathing, and he doesn't even care enough to even attempt to make himself likable in any sort of way, just goes around the palace with a woe-is-me attitude even though everyone else is suffering way more because of his actions. I don't get what the big craze is these days about "tortured, haunted" leading males in fiction who hurt women because they're "damaged." For me, it's really unattractive to see a guy waltzing around hurting people because somebody did him wrong in the past, and a woman chasing after him trying to tame the monster. Shazi's relationship with Khalid is on par with Stockholm syndrome and/or an abusive relationship. He literally almost chokes her to death, and she's still palling around with him.

Shahrzad isn't much better. The most we know about her is that she can shoot a bow, she's angry all the time, and that she's trying to kill the guy who murdered her best friend, which she epically fails at for no reason because...I don't know...he's hot? I have no idea why Khalid and Shazi fell in insta-love, because I have no idea who they are as people in the first place. If you took them out of their terrible situation and put them in a normal life, they'd be complete strangers to you because there's nothing about them that makes them unique or different. For as beautiful as the descriptions are and the writing is, the characters are a blank canvas, only painted with a few strokes. There are so, SO many romantic and beautifully detailed scenes that would've stolen my breath away IF I could stop wishing the people I was reading about would just die already, and that's what really makes me upset. This book could've been a masterpiece, but the execution fell flat at the characterization. She did everything else right, but sadly, this crucial point causes the book to fail.

It doesn't help that at every turn, there's a new character to memorize, and a new name to learn. For as short as this book is, there are way too many characters. I know I've made this mistake in my own writing, but I expect better from a book published by Putnam (though I really shouldn't...the Cahill Sisters Chronicles, also published by Putnam, also had an array of 20+ characters for 3 short books).

It just makes me so mad things turned out this way. I was looking forward to this book for a long time, and it was such a big let down. The world, the writing, everything was so beautiful. But when you've got these distasteful, bland characters running around in this beautiful world, I really don't care to keep reading. Gonna think long and hard if I want to chance it with the sequel.